Friday, January 24, 2020
Of Mice And Men Essays -- essays research papers
Every day, people are faced with responsibility. Some thrive under the pressure while others crumble. Responsibility is a sign of independence. Teenagers with greater amounts of responsibility feel freedom from their parents. In the same case, too much responsibility can put more stress on that freedom-seeking teen and can have devastating effects. John Steinbeck shows the theme that in life, responsibility is best taken in moderation in his novel Of Mice and Men. à à à à à In Of Mice and Men, George shows the weight of responsibility on taking care of Lennie. George knows he could be better off without Lennie. ââ¬Å"When I think of the swell time I could have without you, I go nuts,â⬠George finally expresses. He even tells the other farm hands, ââ¬Å"If I was alone, I could live so easy.â⬠George often keeps his ââ¬Å"single likeâ⬠in the back of his mind. Even so, George stands up for Lennie many times. His advice is always in Lennieââ¬â¢s best interest. He watches out for Lennie when he keeps hold of Lennieââ¬â¢s work card and bus pass. George also knows that he and Lennie wouldnââ¬â¢t have jobs if he didnââ¬â¢t make Lennie keep quiet. Lennie cannot take care of himself without George. With George watching out for Lennie like he does, Lennieââ¬â¢s mishaps can also have detrimental effects on Georgeââ¬â¢s life. George loses his job and his best friend because of his connection with George. à à à à à Lennie also exemplifies the theme by the way he wants to and physically car...
Thursday, January 16, 2020
Arthur Millerââ¬â¢s Death of a Salesman (cited) Essay
Willy and Nora: Tragic Heroes or Home-wreckers? No one has a perfect life. Despite what Aaron Spelling and his friends in the media might project to society today, no oneââ¬â¢s life is perfect. Everyone has conflicts that they must face sooner or later. The ways in which people deal with these conflicts can be just as varied as the people themselves. Some procrastinate and ignore their problems as long as they can, while others attack problems to get them out of the way as soon as possible. The Lowman and Helmer families have a number of problems that they deal with in different ways, which proves their similarities and differences. Both Willy Loman, the protagonist of Arthur Millerââ¬â¢s Death of a Salesman and Nora Helmer, protagonist of Henrik Ibsenââ¬â¢s A Dollââ¬â¢s House experience an epiphany where they realize that they were not the person the thought they were: while Willyââ¬â¢s catharsis brings about his death, Noraââ¬â¢s brings her to a new life; hers. Bo th characterââ¬â¢s flaws bring about their departure from their respective families as well. They are both overly concerned with the appearances they and their families present to society: as a result they both project false images to others. From their appearance, both seem to be involved in stable marriages and appear to be going places. Willyââ¬â¢s job as a traveling salesman seems stable (although we never know what it is he sells) when he tells his family that he ââ¬Å"knocked ââ¬â¢em cold in Providence, slaughtered ââ¬â¢em in Bostonâ⬠(Miller 1228). It is not until Willyââ¬â¢s wife, Linda tells us that he ââ¬Å"drives 700 miles and when he gets there, no one knows him any more, no one welcomes himâ⬠(Miller 1241). If thatââ¬â¢s not enough to convince readers of his failure on the job, the fact that he gets fired after working for the same company for 36 years cements his incompetency in the business world to readers. While Nora does not work in the business world, (few woman, if any did over 120 years ago) her failure to take care of her responsibilities becomes quite evident as well. See more: citing an essay When the play opens and Nora enters with a Christmas tree and presents for the children, she gives off the impression of a good mother trying hard to prepare a great Christmas for her family. Upon further analysis we see that Noraââ¬â¢s duties, in general, are restricted to caring for the children, doing housework, and working on her needlepoint. Nora cannot complete these duties even with the full-time help of Anne Marie, a housekeeper who cleans up after Nora just as much as the children. When Nora and Kristine are having a discussion towardsà the start of the play, Nora informs her friend that, ââ¬Å"Iââ¬â¢m so happy and relieved [with my marriage]. I must say its lovely to have plenty of money and not have to worry. Isnââ¬â¢t it?â⬠(Ibsen 1119). The rosy picture she painted of her family and marriage are in stark contrast to the ââ¬Å"stranger of a manâ⬠(Ibsen 1168) she refers to her husband as. We realize that she had not been living her life at all; rath er the life that her husband wanted her to live. While both Willy and Nora succeed in giving of the appearance of being competent, efficient and helpful family members who contribute to the well being of their respective families, they prove otherwise as the plays progress. While the two plays take place nearly 100 years apart, are set on different continents and each have completely different family members, both engage in lies and deceit that hurt their families; after which each protagonist leaves their family. Not only does Willy lie about his performance on the job, he lies about his ââ¬Å"faulty carâ⬠as well. He tells his family that the Studebaker keeps malfunctioning when in reality we find out through Linda that he has been deliberately trying to kill himself. The biggest way in which Loman deceives his family is by cheating on his wife while away for work in Boston. When his eldest son discovers his fatherââ¬â¢s unfaithfulness, he loses all trust for his father, and Biffââ¬â¢s life pretty much goes downhill from there. Willy Lomanââ¬â¢s lies, deceit, unfaithfulness have resulted in huge problems for his family. Nora also starts trouble in her household through lies and deceit. Noraââ¬â¢s crime of forgery is not even a crime in her mind; she does not realize that the law does not take into account peopleââ¬â¢s motivations behind their actions. While she knows that Krogstad has been associated with shady law practices, she does not realize that his crime was on the same level, if not less illegal than the one that she has committed. When Tourvald opens the letter and finds out about her crime, he goes ballistic, and cannot believe that his own wife could be capable of such a crime. This is ultimately the reason / situation that helps Nora realize that she must leave her family in order to begin to live her own life. But Nora even lies about the little things in life such as the eating of macaroons (Ibsen 1126). Her husband forbade her from eating them on account that they will rot her teeth, and when she is seen eating them in her house, she says that they are a gift from Kristine, which is a lie. Both Willy and Noraââ¬â¢s lies and deceitfulness frustrate their families to theà point where each protagonist much leave their family; although Willyââ¬â¢s departure is his death, Noraââ¬â¢s is the start of her real life. Both main characters also use an escape mechanism to leave reality when they realize that their lives are on the wrong path. When Loman starts to realize that his pride and joy in life, Bi ff, ââ¬Å"is a lazy bumâ⬠(Miller 1218) he begins to talk to himself (Miller 1221). These mental lapses bring Loman to a happier place and time, when his kids were young and innocent and he thought that the best part of his life lay still ahead. This acts almost as a defense mechanism against the pains of reality for Willy. In the final scene, after Biff tells his father that he is ââ¬Å"a dime a dozenâ⬠and that the Loman name really doesnââ¬â¢t mean much, Willy engages in the ultimate escape mechanism; suicide. Although it may appear on the surface to be a selfish and coldhearted move to spite his family, he actually did it so that his family may live a better life with money he thinks they will receive from his life insurance policy. When faced with the harsh pains of reality, Nora also uses defense / escape mechanisms to ignore the problems at hand first, then to conquer them in the end. She believes that she has done nothing wrong, and that if what she has done is illegal, that her good intentions will nullify the illegality of her forgery. When Krogstad informs her otherwise, tells her the possible repercussions of her act, and ultimately gives her an ultimatum, this is her first touch of reality outside of the dollââ¬â¢s house that she lives in. To cope with the harshness outside of t his dollââ¬â¢s house, she immediately retreats back inside and attempts to distract herself with Christmas decorations (Ibsen 1133). She uses the tree and presents to distract her from her problems, and tells the nursemaid Anne Marie that sheââ¬â¢s too busy to play with her kids who want to see her because she must try to distance her mind from the subject at hand. Here she is only making the problem worse by not dealing with it. When she finally realizes that her ââ¬Å"main duty [is] to [her]selfâ⬠(Ibsen 1166), and that she has been living life according to what her father and husband have wanted rather than what she has wanted, Noraââ¬â¢s epiphany is complete. She knows that the only possible solution that can work for her is to leave right away. Willy and Nora both escape their problems first by drifting away with mental distractions, then when they fully realize their problems, they both must physically leave their families. For Willy this means death, for Nora, theà start of (a new) life. Willy and Nora share a fatal flaw: they try to make others happy before making themselves happy. All that Willy ever wanted in life was to be ââ¬Å"well-likedâ⬠and for his sons to follow in his footsteps. Their lives focused too much on fulfilling others rather than themselves, and in the end this flaw led to their departure from each of their respective families. When Charley asks Willie ââ¬Å"when the hell are you ever going to grow up?â⬠and Biff declares that ââ¬Å"we never told the truth in this house for 10 minutesâ⬠(Miller 1280) we realize that Willy will never grow up and that he must leave his family because he will never grow up and that nearly his whole life has been a farce. Similarly, when Nora tells her husband that the only way he (and her) can only change if Tourvald has ââ¬Å"his doll taken awayâ⬠(Ibsen 1168) we realize that Noraââ¬â¢s life too has been a farce and that she must leave in order to begin her own life.
Tuesday, January 7, 2020
Oedipus And Gilgamesh Essay - 785 Words
Oedipus from the Greek tragedy Oedipus Rex and Gilgamesh from the epic of Gilgamesh both heroes in their own stories however they also very drastically. Gilgamesh is a quest hero who loses his closest friend, Enkindu, and is inspired to go on a journey in the wilderness to search for immortality. like Gilgamesh, Oedipus is a hero also, however he is a tragic hero. Oedipus, in the play, is praised for ridding the town in which he rules, Thebes, of a plague. The characters Oedipus and Gilgamesh both are strong characters in their own story and plot, both can be considered heroes however they are very much different types of heroes and characters. in the epic of Gilgamesh, friendship is a main concept that carries throughout the story.â⬠¦show more contentâ⬠¦unfortunately, Oedipus deals with the death of the queen. I do pisses reaction is very violent as he punctured his eyes out. On page 316 the text states, ââ¬Å"he [Oedipus] rips off her brooches, the long gold pins holding her robes ââ¬â and lifting them high, looking straight up into the points he takes them down the sockets of his eyes...â⬠Oedipus was clearly fed up with all the horrible tragedies that follow him around in his life, so he reacted quite violently to this horrible event that he witnessed. overall, the person killed a mesh reacted to death in their lives very differently, one becoming violent and self-destructive and the other becoming very sad whilst he grieves his loss. both kill commission a piss have pride in their leadership, even though Gilgamesh does not have any genuine power he is still prideful and confident alike to Oedipus. ââ¬Å"I will break your door and burst in your gate, for I am Gilgamesh who seized and killed the bull of heaven.ââ¬Å" (The Epic of Gilgamesh, 12) Gilgamesh is confident in his abilities after defeating the bull of heaven, and so he feels like he has power he does not deserve. Oedipus is the definite ruler of the town of Thebes. not only does he rolled the town but he also read the town of the curse that took over the city. This is the reason why the towns people look up to Oedipus so intensely. ââ¬Å"I pity you. I see ââ¬â how could I fail to see what longingsShow MoreRelatedGilgamesh And Oedipus Essay904 Words à |à 4 PagesOctober, 2017 Gilgamesh vs. Oedipus No two men are alike in anyway, same goes for heroes and tragic heroes. A hero is someone who has given their life to be something bigger than oneself. A hero is someone who is brave, courageous and someone you look up to. Aristotle referred to a tragic hero as, ââ¬Å"someone who makes their own judgement error that inevitably leads to their own destructionâ⬠. Gilgamesh and Oedipus were some of the biggest heroes in our literary studies. Gilgamesh and Oedipus lived theirRead MoreEssay Oedipus Rex and Gilgamesh1034 Words à |à 5 Pageslook. However, every man has a little something from the other. Although Oedipus and Gilgamesh are entirely different people, they are still very similar. Each one, in their own way, is exceptionally brave, heroically tragic, and both encompass diverse strengths and weaknesses. One is strictly a victim of fate and the other is entirely responsible for his own plight. Out of the two men, Gilgamesh was far braver than Oedipus. He risked his life a number of times when he was in the company of hisRead MoreClassification of Literature3483 Words à |à 14 PagesCLASSIFICATIONs OF LITERATURE I. Divisions of Literature Literature Prose Poetry Fiction Nonfiction Dramatic Narrative Lyric Drama Short Story Novel Tale Fable Myth Legends Folktales Essay Biography Autobiography Diary History Chronicle News Anecdote Tragedy Comedy Opera Operetta Ballad Epic Metrical Tale Metrical Romance Ode Sonnet Song Elegy POINT OF COMPARISON | PROSE | POETRY | Form | Paragraph | Verse | Language | Words and rhythms of ordinary and everyday language | Metrical,
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